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Easter Lambkin A paschal lamb ID de tableau:: 93291
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Easter Lambkin A paschal lamb Date 1914-1915
Medium oil on metal
Dimensions 42 x 60 cm (16.5 x 23.6 in)
TTD Date_1914-1915
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Medium_oil_on_metal
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Dimensions_42_x_60_cm_(16.5_x_23.6_in)
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TTD
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A Family Celebration ID de tableau:: 93570
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A Family Celebration Date 1900s(1900s)
Medium English: Oil painting on oilcloth
עברית: ציור שמן על שעוונית
Dimensions 180 x 115 cm (70.9 x 45.3 in
TTD Date_1900s(1900s)
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Medium_English:_Oil_painting_on_oilcloth
עברית:_ציור_שמן_על_שעוונית_
Dimensions_180_x_115_cm_(70.9_x_45.3_in
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TTD
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Childless Millionaire and a Poor Woman Blessed with Children ID de tableau:: 93572
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Childless Millionaire and a Poor Woman Blessed with Children Date 1900s
TTD Date_1900s
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A Woman Carrying Easter Eggs ID de tableau:: 93573
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A Woman Carrying Easter Eggs Date 1900s
Dimensions 54 x 54 cm (21.3 x 21.3 in)
TTD Date_1900s
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Dimensions_54_x_54_cm_(21.3_x_21.3_in)
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TTD
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A Lamb and a Laden Easter Table with Angels Flying in the Background ID de tableau:: 93574
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A Lamb and a Laden Easter Table with Angels Flying in the Background Date 1900s
Medium oil on oilcloth
Dimensions 100 x 80 cm (39.4 x 31.5 in
TTD Date_1900s
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Medium_oil_on_oilcloth
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Dimensions_100_x_80_cm_(39.4_x_31.5_in
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TTD
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| Artiste précédent Artiste prochain
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Niko Pirosmanashvili
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(born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter.
Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman.
Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics. |
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